Icons at Risk
Registration and Program IH Conference 15-18 May
Terence Riley -KEYNOTE SPEAKER- on Philip Johnson
Toshiko Kinoshita on Japanese Modern Heritage Houses
Hilary Lewis on Philip Johnson and his Glass House
Amanda Nelson on Building Donor Relationships
William D. Earls on the Harvard Five in New Canaan
Anne Mette Rahbæk on Philanthropic Investments and Preservation
Peter McMahon on Saving Modern Houses on Cape Cod
New era for Villa E-1027 and Cap Moderne
Restoring the past: The Diego Rivera and Frida Kahlo Home Studio
Behind the Scenes: Hendrick de Keyser Association
Latin America Special – Focus on Mexico
De Stijl in Drachten
Preserving the Nancarrow House-Studio
Meet the Friends - Nanne de Ru
Latin America Special – Focus on Brazil
Iconic Houses Lecture Tour - The Weizmann House
Jan de Jong’s House is Latest Hendrick de Keyser Acquisition
Stay in a Belgian Modernist Masterpiece
In Berlin’s Modernist Network
Rietveld-Schröder House Celebrates De Stijl Anniversary
Meet Our New Foundation Board Members
Virtual Tour of a Papaverhof Home in 3D
Getty Grant for Villa E-1027
11 Le Corbusier Homes now on Unesco World Heritage List
At home with Le Corbusier
Our Badge of Honour
Wright Plus 2016 Walk
Casa Batlló's innovative Video Guide
Documentary La Ricarda
Richard Hutten at the Sonneveld House
Rent a house designed by Gerrit Rietveld
Barragán House on Screen
Gesamtkunstwerk – An Icon on the Move
Maurice Drue Parrish named Executive Director of Farnsworth House
Triennale der Moderne 27 September - 13 October 2013
Prestigious Art Nouveau mansions in Brussels open
September 14 + 15: Heritage Days in Paris
June's New Arrivals: Museum Apartments
Iconic Houses is now on Twitter and Facebook
Corbu’s Cabanon: Reconstruction and Lecture
Projekt Mies In Krefeld: Life-sized model of the Krefeld Clubhouse
New arrivals: Spain special
MAMO: Le Corbu’s ‘Park in the Sky’ open 12 June
Annual Wright Architectural Housewalk: 18 May
Frank Lloyd Wright Homes on Screen
Message from the Editor
Neutra’s House on Screen
Melnikov House on Screen
Iconic Houses in the media
Message from the Editor
Eileen Gray House on Screen
Wim de Wit, Stanford University
Wim de Wit is Adjunct Curator of Architecture and Design at Stanford University’s Cantor Arts Center. He trained as an architectural historian and has spent his entire career (over 40 years) as a curator, first in Amsterdam, then in New York, Chicago, Los Angeles, and now San Francisco. Wim will be a keynote speaker at our conference at the Getty Center in February 2016.
Tell us about your own relationship with significant houses
Over the years, I have acquired archives from many architects who, at one point or another, built noteworthy houses either for themselves or for intelligent clients. I have visited many of these houses and like to study their spatial power and attention to detail, which in my opinion are the essential components of good architecture.
Do you have a favourite house?
On a global level, that would be Le Corbusier’s Villa Savoye. I will never forget my first visit to that house, and how blown away I was by the framing of the views and the sense of movement through space. In Los Angeles, my favourite house is the Kappe Residence. The siting of this house is just incredible. The same is true of course for the Eames House, the amazing home and studio that Charles and Ray Eames built for themselves in 1948-‘49. The effect, however, is very different. While the Kappe Residence disappears in the natural landscape, the Eames House with its steel structure and colored panels presents itself clearly on the site. Nonetheless, because of the lightness of the Eames’s design, the internal space and surrounding environment are one.
What is the biggest challenge facing the Cantor Arts Center right now?
As I am the first curator of architecture at Stanford’s Cantor Arts Center, my biggest challenge is how to draw in a public that is not at all used to coming to the museum for architectural programming.
What do you expect from the upcoming Iconic Houses conference at the Getty Center in Los Angeles?
I’m really looking forward to discussions about how to maintain iconic houses and how to teach new generations that well-designed houses are worth preserving.
Which 21st-century house in California has the potential to become a future Iconic House, and why?
The Hill House in Pacific Palisades (2004) by Johnston Marklee. The design of this house is a really beautiful update of the best of LA’s high Modernist architecture: a house on a difficult hillside (think of Case Study House #22), with as little separation between outside and inside as possible, and incredible views of the surrounding area.
Wim de Wit recommends ‘Ice Cube Celebrates the Eames’ because it shows how a truly iconic house such as the Eames House continues to inspire new generations to be proud of LA's built environment.
Publication date 3 December 2015