Icons at Risk
Registration and Program IH Conference 15-18 May
Terence Riley -KEYNOTE SPEAKER- on Philip Johnson
New era for Villa E-1027 and Cap Moderne
Jorge Liernur -KEYNOTE SPEAKER- on Latin American Modernism(s)
Restoring the past: The Diego Rivera and Frida Kahlo Home Studio
Behind the Scenes: Hendrick de Keyser Association
Latin America Special – Focus on Mexico
De Stijl in Drachten
Preserving the Nancarrow House-Studio
Meet the Friends - Nanne de Ru
Latin America Special – Focus on Brazil
Iconic Houses Lecture Tour - The Weizmann House
Jan de Jong’s House is Latest Hendrick de Keyser Acquisition
Stay in a Belgian Modernist Masterpiece
In Berlin’s Modernist Network
Rietveld-Schröder House Celebrates De Stijl Anniversary
Meet Our New Foundation Board Members
Virtual Tour of a Papaverhof Home in 3D
Getty Grant for Villa E-1027
11 Le Corbusier Homes now on Unesco World Heritage List
At home with Le Corbusier
Our Badge of Honour
Wright Plus 2016 Walk
Casa Batlló's innovative Video Guide
Documentary La Ricarda
Richard Hutten at the Sonneveld House
Rent a house designed by Gerrit Rietveld
Barragán House on Screen
Gesamtkunstwerk – An Icon on the Move
Maurice Drue Parrish named Executive Director of Farnsworth House
Triennale der Moderne 27 September - 13 October 2013
Prestigious Art Nouveau mansions in Brussels open
September 14 + 15: Heritage Days in Paris
June's New Arrivals: Museum Apartments
Iconic Houses is now on Twitter and Facebook
Corbu’s Cabanon: Reconstruction and Lecture
Projekt Mies In Krefeld: Life-sized model of the Krefeld Clubhouse
New arrivals: Spain special
MAMO: Le Corbu’s ‘Park in the Sky’ open 12 June
Annual Wright Architectural Housewalk: 18 May
Frank Lloyd Wright Homes on Screen
Message from the Editor
Neutra’s House on Screen
Melnikov House on Screen
Iconic Houses in the media
Message from the Editor
Eileen Gray House on Screen
Kimberli Meyer, MAK Center
Kimberli Meyer is Director, MAK Center for Art and Architecture, Los Angeles, at the Schindler House. She earned her architecture degree in Chicago, finished my Master of Fine Arts at California Institute of the Arts, began curating after graduate school, and have been able to combine my interests and expertise as director of the MAK Center at the Schindler House. Meyer is also member of the Organizing Committee of the Iconic Houses Network and speaker at the symposium at the Iconic Houses Europe Symposium at the Victoria & Albert Museum 12 November 2013.
Describe your relationship with significant houses
Running the MAK Center gives me a very close, daily relationship to the Schindler House, a house I have been drawn to since my second year of architecture school. Because I have the mandate to create an active cultural program there, I am constantly rereading, reanalyzing, and rediscovering the house. I am always thinking about how to raise public awareness of architecture, which includes other significant houses and buildings.
Which is your favourite house?
That’s too difficult a question, so I will limit it, and say that one of my favorite houses by Schindler is the Oliver House (1933). It is an example of how brilliantly Schindler harnessed the site by employing some very surprising geometry. It is a private house, but we hope to open it for a day on our annual architecture tour next year.
What’s the biggest challenge for you and your organization right now?
Finding funding to keep our doors open is always the biggest challenge.
What can we soon expect?
In 2014 we are excited to be launching a partnership with the Philip Johnson Glass House in which we invite an artist to conceive of a project for each house, as a kind of diptych. For the first round we will be working with artist duo Ryan Kelly and Brennan Gerard, who will create performances for each location. A publication reflecting upon the houses and the works will be jointly produced. We think it is a great way to tap into the histories and spaces of each house, and link the two houses as well as the east and west coasts.
Which 21st century home is an iconic house of the future?
Proclaiming future icons is a dubious endeavour. Maybe the future will be all about the non-iconic house.
Photo Michael Locke. Oliver House, Rudolph M. Schindler, 1933.