Icons at Risk
Registration and Program IH Conference 15-18 May
Terence Riley -KEYNOTE SPEAKER- on Philip Johnson
New era for Villa E-1027 and Cap Moderne
Jorge Liernur -KEYNOTE SPEAKER- on Latin American Modernism(s)
Restoring the past: The Diego Rivera and Frida Kahlo Home Studio
Behind the Scenes: Hendrick de Keyser Association
Latin America Special – Focus on Mexico
De Stijl in Drachten
Preserving the Nancarrow House-Studio
Meet the Friends - Nanne de Ru
Latin America Special – Focus on Brazil
Iconic Houses Lecture Tour - The Weizmann House
Jan de Jong’s House is Latest Hendrick de Keyser Acquisition
Stay in a Belgian Modernist Masterpiece
In Berlin’s Modernist Network
Rietveld-Schröder House Celebrates De Stijl Anniversary
Meet Our New Foundation Board Members
Virtual Tour of a Papaverhof Home in 3D
Getty Grant for Villa E-1027
11 Le Corbusier Homes now on Unesco World Heritage List
At home with Le Corbusier
Our Badge of Honour
Wright Plus 2016 Walk
Casa Batlló's innovative Video Guide
Documentary La Ricarda
Richard Hutten at the Sonneveld House
Rent a house designed by Gerrit Rietveld
Barragán House on Screen
Gesamtkunstwerk – An Icon on the Move
Maurice Drue Parrish named Executive Director of Farnsworth House
Triennale der Moderne 27 September - 13 October 2013
Prestigious Art Nouveau mansions in Brussels open
September 14 + 15: Heritage Days in Paris
June's New Arrivals: Museum Apartments
Iconic Houses is now on Twitter and Facebook
Corbu’s Cabanon: Reconstruction and Lecture
Projekt Mies In Krefeld: Life-sized model of the Krefeld Clubhouse
New arrivals: Spain special
MAMO: Le Corbu’s ‘Park in the Sky’ open 12 June
Annual Wright Architectural Housewalk: 18 May
Frank Lloyd Wright Homes on Screen
Message from the Editor
Neutra’s House on Screen
Melnikov House on Screen
Iconic Houses in the media
Message from the Editor
Eileen Gray House on Screen
Toshiko Mori, architect
House in Connecticut II, New Canaan. Toshiko Mori’s addition to existing Breuer House II, by Marcel Breuer, 1948.
Toshiko Mori is the founder and owner of Toshiko Mori Architect PLLC in New York. She is also Robert P. Hubbard Professor in the Practice of Architecture at Harvard University Graduate School of Design, and a fellow of the American Institute of Architects. Born in Japan, she grew up appreciating traditional Japanese architecture. Her academic research focus has addressed the themes of materiality, technique, and performance. At the Iconic Houses Conference in February 2016 at the Getty Center, her keynote speech, ‘Frank, Paul, Marcel and Me’ will address her work on iconic homes by important 20th-century architects.
Tell us about your own relationship with significant houses
I am an architect and I design and build significant houses. Our work often focuses on issues that relate to creating bridges between history and tradition on the one hand, and contemporary culture on the other, using design, technique, and technology. My strategy is to respect the legacy of historic architecture, by creating contrast or the opportunity for a dialogue. This enhances and prolongs the presence and the value of historical buildings. My effort is to focus on how to avoid making historical buildings obsolete artefacts of the past, but instead to remake them into a vibrant participant of contemporary culture.
Do you have a favourite house?
Alvar Aalto’s Villa Mairea, in Noormarkku, Finland. It responds to site and climate, and possesses a rich material texture. Its use enhances the sense of its location, culture, and tradition, while it clearly possesses a progressive and rational presence. The balance and proportion at every scale and in every detail is masterful.
What is the biggest challenge facing these buildings right now?
There are still many who do not value the contribution and aesthetic of Modernist architecture post-World War II. These buildings are neither new enough to be exciting nor old enough to be appreciated as ‘historical’. I call such structures ‘orphan buildings’; they are quickly being demolished due to a lack of awareness of their value to society, especially in Japan. Yet they embody the amazing innovations and inventive designs of their time, as well as that era’s sense of optimism and hope for the future.
What do you expect from the upcoming Iconic Houses conference at the Getty Center in Los Angeles?
I hope to be able to meet fellow architects and other patrons of significant houses and to have really productive conversations. I would like to address how to increase awareness and elevate the value of good architecture in our society.
Which 21st-century house in California or elsewhere has the potential to become a future Iconic House, and why?
Walsh House, in Kangaroo Valley, New South Wales, Australia by Glenn Murcutt. It is a simple house with a complex response to diverse environmental and climatic issues. It is both tough and elegant, simultaneously rough and refined.
An interview with Toshiko Mori at the 13th International Architecture Exhibition in Venice with DIALOGUE IN DETAILS, exhibited at the Giardini’s Central Pavilion about Marcel Breuer, Philip Johnson, Frank Lloyd Wright, Ludwig Mies van der Rohe and Paul Rudolph.
Villa Mairea, Alvar Aalto, Noormarkku, Finland 1938
Walsh House, Glenn Murcutt, Kangaroo Valley, New South Wales, Australia 2005
Publication date 7 January 2016