Icons at Risk
Registration and Program IH Conference 15-18 May
Terence Riley -KEYNOTE SPEAKER- on Philip Johnson
New era for Villa E-1027 and Cap Moderne
Jorge Liernur -KEYNOTE SPEAKER- on Latin American Modernism(s)
Restoring the past: The Diego Rivera and Frida Kahlo Home Studio
Behind the Scenes: Hendrick de Keyser Association
Latin America Special – Focus on Mexico
De Stijl in Drachten
Preserving the Nancarrow House-Studio
Meet the Friends - Nanne de Ru
Latin America Special – Focus on Brazil
Iconic Houses Lecture Tour - The Weizmann House
Jan de Jong’s House is Latest Hendrick de Keyser Acquisition
Stay in a Belgian Modernist Masterpiece
In Berlin’s Modernist Network
Rietveld-Schröder House Celebrates De Stijl Anniversary
Meet Our New Foundation Board Members
Virtual Tour of a Papaverhof Home in 3D
Getty Grant for Villa E-1027
11 Le Corbusier Homes now on Unesco World Heritage List
At home with Le Corbusier
Our Badge of Honour
Wright Plus 2016 Walk
Casa Batlló's innovative Video Guide
Documentary La Ricarda
Richard Hutten at the Sonneveld House
Rent a house designed by Gerrit Rietveld
Barragán House on Screen
Gesamtkunstwerk – An Icon on the Move
Maurice Drue Parrish named Executive Director of Farnsworth House
Triennale der Moderne 27 September - 13 October 2013
Prestigious Art Nouveau mansions in Brussels open
September 14 + 15: Heritage Days in Paris
June's New Arrivals: Museum Apartments
Iconic Houses is now on Twitter and Facebook
Corbu’s Cabanon: Reconstruction and Lecture
Projekt Mies In Krefeld: Life-sized model of the Krefeld Clubhouse
New arrivals: Spain special
MAMO: Le Corbu’s ‘Park in the Sky’ open 12 June
Annual Wright Architectural Housewalk: 18 May
Frank Lloyd Wright Homes on Screen
Message from the Editor
Neutra’s House on Screen
Melnikov House on Screen
Iconic Houses in the media
Message from the Editor
Eileen Gray House on Screen
Jordi Falgàs, Casa Rafael Masó
Jordi Falgàs is director of the Fundació Rafael Masó in Girona (Spain), which operates Casa Masó. He is also museum planning advisor to Antoni Gaudí’s Casa Vicens in Barcelona, which is scheduled to open to the public in 2016.
He received a BFA from the Universitat de Barcelona in 1989, an MA in art history from Michigan State University in 1995 and his PhD from the University of Wisconsin-Madison in 2011. Between 2004 and 2007, he was the Cleveland Fellow in Modern Art at the Cleveland Museum of Art, where he was one of the curators of Barcelona and Modernity: Picasso, Gaudí, Miró, Dalí.
Jordi Falgàs will moderate during the Iconic Houses Conference in Barcelona on 25 November.
Tell us about your relationship with significant houses
From 1996 to 2003 I worked at the Fundació Gala-Salvador Dalí, where I was involved in the opening of Gala Dalí Castle in Púbol and Salvador Dalí’s house in Portlligat. While in the USA I had the opportunity to visit most of Frank Lloyd Wright’s houses which are open to the public, and later on when I was writing my dissertation on Masó, I conducted research on several Charles Rennie Mackintosh houses and other Arts and Crafts homes throughout the UK. Houses are fascinating and unique places because they convey meaning in ways that museums can’t.
Do you have a favourite house?
I can’t single out just one, sorry! I have great memories of the sunset at Pierre Koenig’s Stahl House in the Hollywood Hills, and also of Taliesin and Taliesin West. Then of course, there’s the Robie House and Fallingwater too. I also enjoyed Mackintosh’s Hill House and Baillie Scott’s Blackwell, where they do an excellent job.
Of course, I’ve been at Casa Masó since the very early stages, long before the opening, and I’m extremely fond of it. Right now I’m also excited about the project to open Gaudí’s Casa Vicens, the first house he ever designed and a fascinating building.
What’s the biggest challenge facing your organisation right now?
Rafael Masó is not a very well-known architect and we need to work harder at finding ways to promote his legacy and his relevance to the development of modern architecture in Catalonia. In the near future, I would like to see his archive become fully accessible online. The same applies to Noucentisme, the movement he was involved in from 1906. He and his colleagues developed an architectural and decorative style that has not yet received the attention it deserves. So all our efforts at Casa Masó go into promoting Masó and Noucentisme at all levels.
What do you hope will emerge from the upcoming Iconic Houses conference in Barcelona?
It will be an excellent chance to meet colleagues old and new from other iconic houses in the incredible setting of La Pedrera. I am grateful to Iconic Houses for providing all of us with this opportunity and for choosing Barcelona. Of course, I hope lots of people will sign up for the trip to Girona to visit Casa Masó, as we are now only 38 minutes away from Barcelona by high-speed train. I also hope the conference will attract the attention of the media and so raise awareness about the importance of the preservation and educational work that we are carrying out at house museums today.
What 21st-century home deserves to be an Iconic House of the future?
Right here in Girona, I only have to cross the street from Casa Masó and there’s Casa Collage (2006-09) by Ramon Bosch and Bet Capdeferro. It is one of the finest examples of dialogue and equilibrium between old and new architecture I’ve ever seen. They even reused old tiles designed by Masó. It is certainly a model to follow when it comes to sustainable architecture and how to approach an intervention in a medieval city such as the old centre of Girona. The numerous national and international awards it has received have already turned it into an icon.
Watch the video here
Casa Collage, Ramon Bosch and Bet Capdeferro, Girona, Spain 2006-2009. Photo José Hevia.